home
referential fields
narrators
institutions
common heritage
about gck

referential fields

INTRO: Interrupted Histories archive constellation contemporary, the emancipation estrangement heterochronia humanism intuition pathological fracture phantom (pain) reconstruction self-historicisation temporalities temporally embodied sound tendencies in art

subjectivisation

INTRO: Time-specific Exhibitions bodywise creleasure dancing as insurrectional practice decolonise evidence fragility interest kapwa loser over-identification radical imagination self-determination self-representation the subject travesti unrest

geopolitics

INTRO: Alignment: An Attempt at Refusal agitational visual language alignment catastrophe eurasia event global resistance institutional geopolitical strategies migrancy non-aligned movement pandemic postsocialism south tudigong, god of the land white space

constituencies

INTRO: The Rest is Missing agency autonomy biotope bureaucratisation collaboration / co-labour construction the continuity-form and counter-continuity de-professionalisation eternal network / la fête permanente intervenor labour ñande / ore the rest is missing

commons

INTRO: Will You Stay Here? The Commons and the Blue Brain to baffle basic income brotherhood & unity constituent power of the common corrected slogan data asymmetry friendship heterotopian homonymy intuition noosphere palimpsest rog self-management solidarity theft

other-institutionality

INTRO: Institution alternating the art hypothesis conspiratorial institutions? dark room deviant family interdependence lobbying minor universalisms reflexive/reflexivity a residual stultifera navis the sustainable museum translation

geopolitics II

INTRO: Repetition air travel anti-fascism earth ecofeminism emancipatory propaganda epistemic diversity harbours instant new extractivism occidentosis self-organisation shipwrecks solidarity Southeast Asia ~~southern constellation~~ translation

commons / solidarity

Antigones Against the Monsters of Heartbreak care is conflictual decommodification hapticality I, a __________ interdependence la perruque liberation the lucid interval performance of care raised fist re-dit-en-un-in-(a)-learning repair revolt school situated museum translation

subjectivisation II

after being ecological being silent choice disappointment disidentification empathy mOther(ness) negotiated imagination queering repair rewilding ruåttvuõttâd şkl vulnerability

constituencies II

after constituencies - constituencies? an afterword crowd of the dead, the direct action in/vested known unknowns post-exhibitionary process reclaiming temporalities rehearsal strange (propaganda) tools territory

temporally embodied sound, Colin Chinnery

narrator	Colin Chinnery
term	temporally embodied sound
duration	3:35 min
year	2014
courtesy of	MG+MSUM

History is usually conveyed by text, physical artefacts, photographs, or films. When sound is used as a vehicle of communication it is the recorded sound of an oral tradition in which history is passed down over time through personal or communal narratives. What binds this diverse practice of historicity is that each medium is the carrier of historical information to be learned and analysed by the subject...